A Dubliner by birth, Eric Sweeney has lived in Waterford since 1981 where he was Head of Music at Waterford Institute of Technology until he retired in 2010. Previously he lectured in music at the Dublin College of Music (now Dublin Institute of Technology) and at Trinity College. He was Choral Director at RTE from 1978-1981. A frequent visitor to North America he has been composer-in-residence at the Newport Festival Rhode Island, Memorial University, Newfoundland, the University of Illinois, Indiana State University and the University of Portland, Oregon among others. He is a member of Aosdána, Ireland’s state-sponsored academy of creative artists.
His music has been played by such orchestras as the Royal Philharmonic Orchestra, Prague Chamber Orchestra, Taunton Sinfonietta, National Symphony Orchestra of Ireland, RTE Concert Orchestra, Irish Chamber Orchestra, Birmingham Conservatoire Orchestra and the Ulster Orchestra.
Major works include Dance Music commissioned by the Royal Philharmonic Orchestra, the cantata Deirdre commissioned by RTE (the Irish national radio and television network) Figurations for guitar commissioned by the Spanish Cultural Institute and Music for a Festival commissioned by Festival International de Musique Universitaire, Belfort, France.
Other commissions have included the Mass of St Patrick and the Evening Canticles for St Patrick’s Cathedral, Dublin, Slow Air for the European Union Chamber Orchestra, and the cantata Hymn to Gaia, a setting of texts from Muslim, Buddhist and Native American sources, together with a range of eco-poetry reflecting on our relationship with the environment.
Recent projects include the incidental music for the film Down the Ladder commissioned for the Copper Coast Geopark in Bunmahon, Evening: The Lighthouse at Hook Head commissioned for the New Ross Piano Festival and the opera The Invader, with libretto by Mark Roper, which was premiered at the Theatre Royal, Waterford and subsequently performed at Wexford Opera House.
Organist and choirmaster of Christ Church Cathedral Waterford, he began organ lessons while still a choirboy at St Patrick’s Cathedral in Dublin studying with the cathedral organist W.S. Greig. He later studied with Flor Peeters in Belgium and, with the aid of an Italian Government scholarship, with Fernando Germani in Rome. He has given recitals throughout Ireland both North and South as well as in England, Sweden, Italy, France and America and his programmes reflect a special interest in contemporary music.
He has become well known also for his organ improvisations to silent movies which include The Phantom of the Opera, Dracula and Nosferatu. He collaborated with the rock group 3epkano for an improvisation to the 1930′s classic film The Cabinet of Dr Caligari at the Kilkenny Arts Festival in August 2011.
Since 2012 he has been collaborating with poet Mark Roper and photographer Paddy Dwan in a series of concerts featuring their work. Mark and Eric also collaborated in a series of creative writing and composing workshops for secondary schools from 2012 to 2013 that culminated in a special concert of student work as part of Waterford New Music Week in February.
Eric and Mark first worked together when they were commissioned to write a work as part of Come the Sails to celebrate the Tall Ships Race in Waterford. Their work, for massed choirs and orchestra, was performed on June 30th 2010.
Lecturing Experience and Academic Posts:
1978-81 Lecturer in Music p/t Trinity College Dublin.
1971-81 Lecturer in Composition/Theory/Piano at the Conservatory of Music and Drama, Dublin Institute of Technology.
1996 Composer-in-Residence, Newport Festival, Rhode Island, USA.
1997 Composer-in-Residence, Young European Strings.
1998 Visiting Scholar in Composition, University of Illinois.
2000 Visiting Lecturer, Indiana State University.
1981–2010 Senior Lecturer and Course Leader in Music at Waterford Institute of Technology.
2013 Organist-in-residence Limerick Choral Festival
Finding time to compose and being inspired by listening to music. [1:20]
Change to minimalism. [1:22]
Writing for multiple keyboards. [:46]
Hearing his works performed. [1:25]